Note to reader: Perhaps I ought to apologise for this story. I fully realise it will be disturbing. But imagine how you would feel if you'd dreamt it, with yourself in the title role, and perhaps you'll understand why I had to try to exorcise it in this way.
***********************************
They’d
prepared long and thoroughly for the day’s performance; they’d left nothing to
chance.
The noonday sun, blazing down on the
courtyard, shone in through the high skylights, so the chamber, despite its
considerable size, was well-lit. The benches that rose in a horseshoe shape
around the stage were clean and comfortable, and the air faintly scented with
resin.
It was a cheery chamber, and a cheery time
of day. This was not something that the High Order intended to hide in damp
subterranean dungeons in the middle of the night; the idea was to make clear to
everyone that it could happen at any time, to anyone at all.
It even had a cheery name; it was called
the Chamber of Light.
The people who were to make up the audience
knew what it was for. They came in slowly and reluctantly, their eyes moving
fearfully from side to side as the usher at the door marked them off on his
list and showed them where they were to sit. They – mostly men, but a few women
as well – had been selected by lottery. It was a lottery that nobody wanted to
win.
Down on the stage, the Master Torturer
watched the usher, who wore the black robe and cowl of the High Order, and went
over his plans for the day’s performance. In keeping with the chamber, the
Master Torturer wore perfectly ordinary clothes, and in fact looked completely
ordinary; nobody should be allowed to think that retribution could only come in
the form of some black-hooded, monstrous figure out of the horror movies.
Most times, when the performance began, the
Master Torturer would pull on a translucent smock to keep off the blood. He
didn’t need it today, because the performance wasn’t intended to involve that
much blood. Of course, sometimes things went wrong, with the apprentices, for
example, but not with him. That was why he was the Master Torturer.
Outside, in the streets, traffic rushed by,
and out on the beach tourists lay on the sand, and out to sea huge-hulled ships
brought and took away the produce of the world; but here, in the Chamber of
Light, the day’s performance was about to begin.
The usher marked off a name on his list and
watched another entrant – a lumpy young woman with sagging breasts and a
truculent expression – walk slowly up to her seat up in the second tier from
the back. He then walked over to the Master Torturer and nodded. “All done.”
The Master Torturer was pleasantly
surprised. “No absentees this time? Not one person suddenly discovered he was
deathly ill?”
The usher’s pallid face did not change
expression. “Are you ready to start? We’ll bring him in then.”
The Master Torturer glanced over his
shoulder at the instruments lined up at the back of the stage – the cabinet
filled with blunt and sharp knives of various sizes, the rack with the whips
and batons, and the portable brazier which he’d had the apprentices light half
an hour earlier and which glowed a dull red now in consequence. One of the apprentices
brought in a bucket of water and set it down by the large chair with the
straps. He nodded. “All done.”
The usher’s eyes bored into his. “This one
needs to be worked carefully. You know why.”
The Master Torturer nodded, not pointing
out that he didn’t have to be told this. He was only an employee, and held
office at the pleasure of the High Order. Besides, the audience was looking at
him with fearful fascination, and bickering would be merely counterproductive. “Bring
him in.”
The usher spoke briefly into the microphone
built into the cowl of his robe. The door beside the stage opened, and two
other members of the High Order brought in the material, holding him by the
arms.
The Master Torturer studied the material.
This was the first time he’d actually seen him, which was unusual. Normally,
the Master Torturer would have spent time learning all about him that he could,
to decide which methods would work best. Not this time, though; this time the
material would go through the whole, carefully choreographed performance. This
one was special, as the usher had said. He would get it all.
The material was very young, little more
than a boy; seventeen or eighteen, maybe nineteen at the most. He was
stick-thin and pale, with an oval face tapering to a triangular jaw. He didn’t
seem to know what was going on, not fully, and didn’t make any move to resist
when they strapped him into the chair.
The Master Torturer glanced at the usher. “Has
he been drugged?”
The usher nodded reluctantly. “He was given
a short-acting tranquiliser. We didn’t want him to damage himself. It’ll wear
off almost at once, don’t worry.”
“I’m not worried,” the Master Torturer said
over his shoulder, and muttered under his breath, for his own ears alone. “If
anyone should be worried, it’s someone else, not me.”
***************************************
The
material sat in the chair and tried hard not to scream.
He’d often imagined what he’d do if he were
ever in this situation, the kind of imagining that felt safe simply because he’d
known that it couldn’t happen, not ever. It was only fun to imagine. Like
everyone else, he’d been certain that he’d
never make a noise; he’d be the one the Guild of Torturers could never break.
It was totally safe to believe all that, because, of course, it would never
happen.
But right now it was no longer imagination.
There were straps round his wrists and ankles, around his waist and chest, and one
even around his neck, though not so tight that he could not breathe.
He still had no idea why he was in this
position. He, after all, had never done anything against the High Order that he
knew of. He’d never committed a single crime. But they’d come for him all the
same, two nights ago, and nothing he or his parents had said had made the
slightest difference.
Not that his parents had said much. He
still recalled his mother’s face, frightened but still resigned, while they
were taking him away. And neither of them had ever come to see him after that.
No. He had done nothing. But it made no
difference, any more than it reduced what was happening to his hands at the
moment.
There was a board balanced on a stand,
placed over his thighs. His hands were fixed to them by some kind of glue, palms
down and fingers spread out, so that he couldn’t move them. The Master Torturer
had already gone over them with a baton, each blow sending liquid waves of pain
flowing up his wrist into his arm. At first he’d gasped, and then he’d moaned,
and tried to hold on as long as possible. Now, at last, he couldn’t do it any
longer, and he opened his mouth to scream.
The apprentice standing behind the chair
was ready for this moment. The thick gag in his hands was in the material’s
mouth before he’d even opened it all the way, and his shriek vanished in the
folds of padded leather. He bit down on it, as the Master Torturer struck
again.
The usher looked up at the audience. “Watch
carefully. Remember, this could happen to any one of you. Anyone at all. Watch,
and remember.” He glared up at the lumpy young woman in the back, who wasn’t
looking truculent any longer. She was just looking sick. “This is just the
start. In a day or two, we’ll see what happens when you wrap him in a net and
put him in water. It’s going to be an educational experience for everybody.”
The Master Torturer didn’t even look up.
The apprentices had taken blunt knives from the cabinet and thrust them into
the brazier, so that the blades were now incandescent. Lightly, as lightly as a
butterfly landing on a flower, he applied the first blade on the back of the
material’s hand, just for a moment to let the heat work, before removing it
again.
“Don’t apply it for too long,” he murmured
to the apprentice, taking the second hot knife from him. “We don’t want him to
faint, do we?”
The material’s head was sagging by the time
the Master Torturer took up the broad, thin sharp razor blades for the last
part of today’s performance, and he was no longer trying to scream. But he was
still fully aware. The Master Torturer was far too good at his job to let him
escape into unconsciousness, and that, too, was why he was the Master Torturer.
This bit with the razor was the most
delicate part of the job. Cut too shallow, and nothing would happen except a
little bleeding. Cut too deep, and he might sever nerves and tendons; and it
was not part of the plan to cripple the material’s hands totally, at least not
yet. The idea was to create flat rectangular scars, which would not fade, which
would serve as a reminder, even when all other functions of the hands were
gone. The Master Torturer knew just how to do it.
“Watch carefully,” he said to the
apprentices, and the thin razor blade bit into the flinching flesh, so smoothly
that the skin peeled away like the rind of a fruit. “Watch, and learn.”
***************************************
The
evening’s long shadows had pooled down on the city as the usher walked past the
guards into the High Order’s headquarters. The guards didn’t ask him for
identification; he was well known to them.
His immediate superior in the High Order was
waiting for him in his office. “How did it go?”
The usher sat down and slipped back the
cowl. “As expected. Are you sure the material is the right one?”
“Of course. All the tests we did said so.
We checked his educational performance, his personal behaviour, everything. He
matched all the criteria. Why, do you have any doubts?”
The usher shrugged. “Not really. It’s just
my first time with one like him, that’s all. What does the Leader say?”
“He
wants a successor. That’s what he says. He wants one to be prepared, starting
right away.” The superior tapped his thumbnail on his teeth. “Here, talk to him
yourself.”
“What?” But the usher found himself taking
the microphone the other man had handed him. “Leader?”
“It’s not easy, being the Leader.” The
familiar rasping voice came into the usher’s ear as clearly as though the
Leader were in the same room instead of somewhere in the maze of the city,
perhaps far away. Nobody but the Leader’s closest advisors and bodyguards knew
where he was. Not even the Leader himself knew. “One needs to be totally
objective about everything.”
“Yes, Leader,” the usher said, licking his
lips nervously.
“You can’t trust the input of your own
senses, because that makes the data you receive subjective. Therefore you must
be purged of the input of your senses. You can’t be soft-hearted, because you
need to take hard decisions for the common good. You need to know what pain is,
because only then can you have it inflicted on others with a clean conscience.
Am I being clear?”
“Abundantly, Leader,” the usher said.
“Good. So you will have no further doubts
about the material, and about the process he is undergoing. I am sure you agree
fully.”
“Oh, I do, Leader,” the usher said
fervently, not meeting the superior’s eyes. “Believe me, I do.”
***************************************
The
Master Torturer glanced across at the usher. “Ready when you are.”
The usher glanced up at the galleries,
making sure everyone was in place. He spoke into his cowl. The door beside the
stage opened.
They wheeled in the material on a stretcher,
because after they’d finished with his feet yesterday, he could no longer walk.
They no longer needed to strap his wrists, because he’d lost the use of his
hands long ago. When they propped him up on the stretcher, all he needed was a
leather strap across his chest.
Today, but for one item of clothing, he was
naked. That one item was a black hood that fell over his face, featureless
except for two round glass windows over the eyes. Under the hood was a gag, and
tubes that ran into his nose to make sure he kept breathing, hooked to tubes
pumping gas that was meant to make certain he stayed conscious, even when the
Master Torturer got to work between his legs.
Sex, too, was something a future Leader
could not afford to have on his mind, and getting rid of it was part of the process.
The apprentices kept the head end of the stretcher propped up high enough to
let him watch.
As long as he still had the use of his
eyes, they were determined to make him see.
Copyright
B
Purkayastha 2016
You started talking about a lottery no one wanted to win. I immediately thought this would be like 'The Lottery' by Shirley Jackson, but, of course, that was only a tiny influence. The Leader must be blind, paralysed, castrated, and generally modified for the role. It's not clear why the audience is chosen by a lottery they wish they had not won (rather like calling the 'short straw' for the person who must go on the suicide mission a lottery). I've read several different stories that have bits and bobs of this one, but this is the first one that puts them all together.
ReplyDeleteMichaelWme
I meant the audience to be forced to watch as a warning to them, and a way of compelling them to behave. They weren't told why the material was being tortured, obviously. It was another public torture for them.
DeleteSince there is limited accommodation (to ensure that everyone in the audience can get a good view), I would think, instead of a lottery, there would be a sequence to ensure that everyone was forced to view one of the torture sessions. Of course, the people wouldn't know the sequence, so it might seem like a lottery to them, but the authorities would not use a lottery, since some people might never be forced to attend, while some sessions might be wasted by repeating them on the same persons.
DeleteOf course, there is another lottery, the one used by the US for the draft. Everyone is put into the jar, and everyone's name is drawn, then the first person drawn has to go fight first, and the last person drawn has to go fight last.
In the Hunger Games lottery, those the authorities wanted to get rid of got their names thrown into the lottery multiple times.
But I'm not sure how much of this should be in the story.
MichaelWme
I am so glad I don't dream your dreams.
ReplyDelete