Friday, 29 October 2021

Shaggy Werewolf Story

 Once upon a time there was a bloodsucking vampire whom we shall call Cradula.


The vampire was,  of course,  very cruel, but apart from that he also lacked all the traces of civilisation that others of his kind possessed. He was not tall, pale, svelte and elegantly  dressed, and if anyone gave him a red-lined black cloak he wouldn't know what to do with it. Far from romancing beautiful women,  he could hardly put two sentences together without devolving into a string of curses. He was bow-legged, ugly, thuggish, with straggly hair,  and such appalling  personal hygiene that he had to approach his prey from downwind so they didn't smell him coming. 


Cradula lived in an empty old house, a house so long vacant that everyone had long forgotten when it had been built and whether it had had a name. There, in the basement,  he had a bed in a grave cunningly disguised as an old chest with a seat on the lid. Every night, once darkness had safely fallen, he would crawl out of his entombment,  lifting the top of the chest away, clamber clumsily through a broken skylight, and go hunting. Before dawn, more often than not still hungry, he would drop with all the grace of a sack of potatoes through the skylight and shamble into his grave again. 


For as long as Cradula had lived in the old house, it had been empty, but one day there was the noise of doors grating open, furniture being moved, the busy sounds of hammering and sawing, and before Cradula knew it - that is,  before the poor vampire woke at the crack of dusk - the house was no longer empty. A family of four had moved in,  father,  mother,  son, and daughter. The first thing Cradula knew of them was the sound of the daughter singing and playing the guitar in her new room upstairs. She sang and played atrociously.


Of course, Cradula didn't know that she sang and played so badly. He was far too uncultured to care about that at all. All he wanted to do was to go out and drink his nightly portion of blood, and the confounded caterwauling was giving him a headache, so he went straight to his skylight. 


Whereupon he had a shock. The skylight had been removed and the space bricked in! And the basement,  where he had spent so many uneventful  decades,  was no longer empty, it was almost full of heaps of coal for the furnace that hadn't been used in so long that Cradula hadn't even known it was there. 


The poor vampire was in a state. He couldn't get out of the basement,  because of the skylight. He couldn't get out through the door up into the house, because it was locked. And he hadn't had any luck hunting in days, so he was starving. And,  on top of everything, he was so illiterate and uneducated in the ways of humans that he was frightened out of his wits, not that he had many. 


It was just as he was gibbering to himself in the corner that the light in the ceiling went on and someone turned the key in the door leading upstairs...


The night was cold, and the mother, deciding the house needed heat, had ordered her husband to start up the furnace. "And don't come back till it's burning nice and hot," she commanded. "Do you hear?"


Cradula, thrilling with terror, shot back into his grave so fast that the coal dust of his passage still hung in the air like behind a cartoon character who'd taken off running. The father came grumbling down, muttering about the television he should've been watching, and shovelled the furnace full of coal. Then, setting the load alight, he looked around for a place on which to sit while waiting for the fire to take hold.


The only place to sit was the nice old chest with the convenient  seat on the lid...


Cradula may have been terrified, but he could now smell the proximity of the human blood coursing through human veins. His fangs grew wet with saliva, he reached up, flipped open the lid of the chest, dragged the father inside, and drank him to a shrivelled husk in less time than it takes to write of it. Then he slammed shut the lid, belched loudly, and went contentedly to sleep.


What about the corpse? He kept it right there with him in the grave. I told you he was a slob.


After an hour, the mother - by now warm - began to wonder why her husband hadn't come back up. Was he drinking down there? She decided to come down for a look.


"Are you hiding behind that coal?" she roared, not seeing her lesser half anywhere. She stamped around the basement,  poking here and there, and then,  baffled, plonked her ample bottom down on the lid of the chest, so hard that it woke Cradula.


And, because he smelt her blood and was an uncouth glutton, he pulled her down and drank her dry as well, then closed the lid and went back to sleep. 


Some time after that, the fire in the furnace began to die down. The daughter began to shiver a little. "Hey, twerp," she ordered her brother, between songs, "go down and put more coal in the damned furnace."


"Go yourself, " said the brother, who was busy with a video game.


The daughter stuck it as long as she could then wandered down to the basement to stock up the furnace. Afterwards she looked around. "I wonder what it would sound like if I sang in here, " she said, and,  sitting down on the chest, resumed her guitar playing and singing. 


Cradula, of course, had been awakened by the terrible noise, and,  being without any refinement,  didn't recognise music when he heard it. He knew only that there was a fresh supply of blood sitting over him. So he opened the lid, yanked in the girl, and drank her dry as well before pushing the lid shut, and,  putting her corpse with those of her parents, went back to sleep. 


By and by the son finished his game and wondered where everyone was. He looked up and down in all the rooms of the house, but they were all empty. Then he came down to the basement,  searched around, and went away upstairs again. Later that night he came down to stock up the furnace, searched for any trace of his parents or sister, found nothing, and stood scratching his head. But Cradula didn't grab him and drink him dry, not then, and not in the many,  many days that have passed since. The son still goes down to the basement every day and Cradula can't lay a finger on him. 


Why not?


Simple!


The son never sits on the  brutish vampire.



Monday, 16 August 2021

Bloodhawk Down

 

As we all know, the Imperialist States of Amerikastan can never lose.

 

It didn’t lose in Vietnam, for example, or in Somalia, or Iraq, come to that.

 

What? You thought the Imperialist States lost in Vietnam and Iraq and Somalia? Obviously you didn’t watch any of the many, many Hollywood films dedicated to proving the opposite for Vietnam, or Black Hawk Down for Somalia, or American Sniper for Iraq, and that’s just the list I can be bothered to dig up.

 

Anyway, to get to ye olde pointe: Amerikastan can never, ever lose. I mean, Hollywood says so! Who are you going to believe, Hollywood or reality?

 

So: Since Amerikastan cannot have lost in Afghanistan yesterday, it is not possible, despite all evidence to the contrary, I decided to help Hollywood out and write a script for it. I mean, I am literally creating history here!

 

So, coming up: the new Hollywood blockbuster on Afghanistan, Bloodhawk Down.

 

Opening scene:

 

The heartbreakingly beautiful mountains of the Hindu Kush (the Pamir Knot will do nicely as a substitute, thank you, do you think the target audience for this kind of thing can differentiate between Afghanistan and Tajikistan anyway?). The purple shadows of evening lie deep in valleys.

 

Enter the shadow of a helicopter, along with the noise of its engine. Pan up to the cockpit, where we have our GRIM-FACED HANDSOME HERO, who is the pilot.

 

This is Major Bloodhawk, USAF. The camera moves up his body, hesitating briefly on his uniformed chest, which has his name in clearly visible BLOCK LETTERS, as well as the requisite stars and stripes badge.

 

Major Bloodhawk is, of course, played by Tom Cruise. It is always Tom Cruise as the aging, handsome, instantly relatable hero. Of course it’s Tom Cruise. Who else could it be, Arnold Schwarzenegger? Give me a break.

 

FLASHBACK to Major Bloodhawk’s many years in Afghanistan, starting with his service as a young gunship pilot back in the glory days of the invasion in the mid 2000s, then moving on to training Afghans to fly helicopters so they can do some gunshipping of their own (insert manly tears when one of his pupils is killed in a crash). He has friends among Afghans, including a brave translator who saved his life during a Taliban ambush. This translator’s name is Quislinguddin, and he has stayed in touch with Major Bloodhawk ever since.

 

Back home, naturally, Major Bloodhawk has a lovely and loving wife, and the requisite two children, male and female. This wife’s name is immaterial, call her Laura if you want, but she’ll be, naturally, played by Angelina Jolie. She was in Kabul, too, of course teaching Afghan women to read and write, but in recent days she’s gone back home. This is an opportunity to show her lovely, palatial home in a leafy suburb somewhere in California, with the compulsory swimming pool in the backyard, complete with a golden retriever who goes swimming with brat and bratess.

 

So both Bloodhawk and Laura are – are you getting this? You are? Good – absolutely genuine heroes, as everyone can see. And the Afghans love them! (Insert shots of profoundly grateful Afghans, begging him to bomb their villages some more and her to teach them some more to read and write.)

 

But times have changed, and it’s 2021, and the Taliban are threatening Kabul. (Gasp! Who could ever have seen that coming?) Major Bloodhawk is past his glory days as an Apache gunship pilot. He now flies a Chinook transport, and he’s been tasked to stay ready to evacuate Americans from the rooftop of the embassy in Kabul, exactly as President Bidet had sworn would never happen.

 

You’re still with me, right?

 

Bloodhawk has a trusty sidekick, who mans a heavy machine gun set in the Chinook’s door. (Never mind whether Chinooks have door gunners, door gunners and helicopters go together like napalm and Vietnamese villages, this has been holy writ since the first Vietnam movie came out, dammit.) I can’t be bothered to come up with a name for him, but he is played by the guy from Jurassic World.

 

So! The evil, vengeful, misogynistic, bearded, turbaned Taliban are battering at the gates of Kabul, when Major Bloodhawk gets a call on his mobile phone! Who can it be? Who??

 

His old mate Quislinguddin, that’s who.

 

Quislinguddin, and I don’t care who plays him as long as it’s a smallish round-faced man with a moustache and a pakol cap, is calling from a village near Kandahar. This village is ruled over by an Evil Taliban Warlord. (Maybe played by Danny Trejo in a beard and black turban? I think it should be Danny Trejo in a beard and black turban.) ETW has his eye on a beautiful young girl in the village, played by anyone, damn it, what does it even matter at this stage. ETW has decided to celebrate the impending Taliban victory by kidnapping the BYG, and intends to marry her as soon as Kabul falls.

 

“Bloodhawk,” the translator says, “the evil Talib has kept her confined within his dastardly fortified house in the village, guarded by the evillest Taliban guards in all Kandahar! You must save her!”

 

Bloodhawk’s orders are to wait and be ready to evacuate the embassy but... (Flashback once again to the moment that Quislinguddin saved him from the Taliban ambush, diving on him and wrestling him to the ground at the risk of his own life.) He calls Laura and explains his dilemma, and in an emotionally charged scene over the phone – he in his helicopter seat, she looking at her (very symbolically empty) bed, a photo of the two of them on the side table, they decide that he must Do The Right Thing.

 

Tom...I mean Bloodhawk...turns to his door gunner, GFJW. “What do you think, Guy?”

 

Guy, as anyone who’s watched Jurassic World is aware, is capable of just one expression, so he doesn’t move a facial muscle. “Let’s go get her! Hooah!”

 

So, without orders, the Chinook clatters into the air and heads off to Kandahar. (Insert more scenic mountains while dramatic swelling music plays, etc.)

 

Cut to the village, where the ETW has been taunting the BYG with her inevitable fate. Suddenly, from his window, he sees the helicopter clattering over the village roofs. Leaning from the aperture, he shouts at his army of guards to alert them to this threat! Bloodhawk, look out! The enemy knows you’re coming!

 

But wait! There’s help!

 

It’s Quislinguddin! Running from one spot to another, mobile phone at his ear, he directs Bloodhawk, telling him where the Taliban are! The heroic American helicopter – roundels and USAF legend boldly visible – makes several low passes over the village, GFJW mowing the Taliban guards down with his trusty machine gun, American firepower defeating evil! Then, in a great gust of sand and wind, the Chinook starts descending into the village square.

 

But what is this?!? The dastardly ETW has taken the opportunity to barricade himself in his evil fortified residence! He knows that Bloodhawk can’t stay long, and he’s determined to wait it out! Whatever will Bloodhawk do?

 

In the helicopter, Bloodhawk and GFJW exchange glances. “Do it, Major,” the latter says...I mean, grinds out between clenched teeth. “Do it!”

 

So, in a remarkable action sequence never before committed to cinema history, Bloodhawk flies his helicopter at almost ground level right up to the ETW’s house. His front rotor’s immense blades crash through the wall of the dastardly residence, sending a mass of rubble falling into the dusty street. Then he backs away and begins to swing around for another go.

 

But, look! Who is this slim, lovely figure who dashes from the broken house? Why, it’s the BYG! She’s free! But only for the moment, for behind her lumbers the form of the ETW! He wants her back! He’s too close to her for GFJW to use his machine gun! She’s almost caught!

 

And here comes Quislinguddin, armed with a piece of wood from the ETW’s own demolished house! He hits the ETW alongside the turban with the half-plank! ETW’s down for the count!

 

Bloodhawk, delicately as a feather, lands his helicopter next to Quislinguddin and the BYG. GFJW urgently beckons them aboard, but the girl’s afraid to climb on. Quislinguddin has to push her from behind and GFJW pull her by the arms to get her into the chopper. Finally she’s in, and Quislinguddin begins to clamber aboard himself.

 

But, wait! The ETW has recovered! Clambering to his feet, his mad eyes glaring, he reaches inside his sleeveless jacket and brings out a (Russian, this was given to him as bounty for killing US soldiers!) Tokarev pistol. Just as the helicopter lifts off, he shoots at it, and the bullet, going through the door, takes Quislinguddin through the chest.

 

As GFJW pilots the Chinook towards Kabul, Quislinguddin looks up at Bloodhawk kneeling over him on the chopper's floor. “We did rescue her, didn’t we?” he whispers, a heroic trickle of blood seeping photogenically from the corner of his mouth.

 

“We did,” Bloodhawk says. “We did.”

 

“I should never have saved your life,” Quislinguddin says, and grins painfully in the best buddy war movie tradition. “You just keep getting me into trouble.”

 

“That’s right, you shouldn’t have,” Bloodhawk replies.

 

“I won’t do it again,” Quislinguddin says, and dies in Bloodhawk’s arms.

 

Swelling music as Bloodhawk weeps bitter tears over Quislinguddin’s corpse. Then the girl lays a comforting hand on his shoulder. He looks up at her and smiles.


The American-flag-bedecked runways of Kabul Airport appear in the distance.

 

(End credits.)

 

 

Oscar material, yo.

 



Tuesday, 20 July 2021

Blood Moon

 Swiftly,  swiftly

The tide travels

Licking and rising 

Here, there


At Cuban beaches

At Iraqi deserts

At Vietnamese jungles

At Afghanistan's hills 


At Gaza's crowded alleys

At Yemeni mountains

At Donbass villages

At Baghdad's slums.


Looking for a breach

Looking for a fissure

And where it is turned back

It moves elsewhere 

To try again. 


Overhead the blood moon

Immune

Draws the tide, commands it, 



But the blood moon's orbit 

Shrinks 

Decays

The hungry ocean awaits it

The vengeful desert

The patient hills.


Copyright B Purkayastha 2021


(I dreamt the first lines of this poem, woke at 4 am, and wrote the rest before I forgot. Good job,  too, because I  didn't remember a word of it later.)